VRIJWILLIGERS GEZOCHT VOORSTELLING FINLAND – FESTIVAL A/D WERF- OVER HET IJ FESTIVAL

Voor de voorstelling FINLAND is Hotel Eldorado op zoek naar:

-       vrouwen die een Slavische taal spreken óf

-       vrouwen die het leuk vinden om in een Slavische taal te zingen

en die graag mee willen doen aan een bijzondere locatievoorstelling in de periode april-mei 2011.

FINLAND speelt op locatie tijdens het Festival a/d Werf te Utrecht op 19, 20, 24, 25 & 26 mei. En op het Over het IJ Festival te Amsterdam van 7 t/m 17 juli. Zie voor informatie over de voorstelling de pagina ‘FINLAND’

Wie we zoeken: We zijn op zoek naar vrouwen die graag mee zouden doen aan onze voorstelling, die graag zingen en graag koken. Tijdens de voorstelling bereiden de vrouwen een maaltijd, wat af en toe onderbroken wordt door zang. Componist Jaap van Keulen verzamelt sevdah en andere liederen en we laten ons graag door de muzikale kennis van de groep verder verrijken. De eigen achtergrond van de vrouwen is voor regisseur, acteurs en componist een belangrijke inspiratiebron. Er wordt geen tekst gebruikt en theaterervaring is niet vereist; wel de wens en durf om in een voorstelling te staan en voor een publiek te zingen. Het gaat niet om perfect geschoolde zang.

Praktische informatie: In de maand april zal er in totaal ongeveer 4 middagen gerepeteerd worden. In mei vragen we een beschikbaarheid van 2 à 3 middagen per week. Van 12 tot 19 mei zullen er ’s middags en/of ‘s avonds regelmatig doorlopen van de voorstelling zijn, waarbij bij minstens 3 doorlopen aanwezigheid gewenst is. In deze periode wordt de voorstelling gemonteerd en afgeregisseerd. Er wordt in Utrecht gerepeteerd.

Contact: Als u interesse heeft om mee te doen en voor verdere vragen kunt u contact opnemen met regieassistent Annemarije Visser, annemarije_visser@hotmail.com 06 12671311.

 

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Salons

Zondag 13 oktober en zondag 14 november 2011 organiseerde Hotel Eldorado twee salons rondom het thema ‘Genocide, verzoening en hoe verder’.
De centrale vraag bij de salons was: : hoe kan je met elkaar verder na zo’n verschrikkelijke ervaring als een burgeroorlog en haar gevolgen, zoals die zich heeft afgespeeld in Bosnië-Herzegovina?

Binnenkort zal er een uitgebreid verslag van de salons onder het kopje “Projects: Salons” komen te staan.

Bij de salons waren aanwezig:
Miranda Sidran Kamisalic – ambassadrice Bosnië-Herzegovina in Nederland
Colet van der Ven – journaliste
Margriet Prins – Medewerkster Office of the High Representative (OHR) in Bosnië-Herzegovina
Petra Catz – Mediator, werkzaam geweest in Bosnië-Herzegvina
Marie-Ursula Kind – Voormalig medewerkster Internationaal Gerechtshof Den Haag
Fenneke Wekker – Dramaturg en Theatermaker
dr. Joes Segal – historicus verbonden aan de Universiteit Utrecht
Denis Mujović – Filmproducent
Darko Sekulić  – Medewerker Office of the High Representative (OHR) in Bratunac, Bosnië-Herzegovina
dr. Jan Verplaetse – Moraal filosoof verbonden aan de Universiteit Gent
Floris van Delft – Theatermaker
Gerardjan Rijnders – Theatermaker en schrijver FINLAND

Verder waren uitgenodigd:
Ilil Land-Boss – actrice & dramatherapeute, collega theaterworkshops in Bratunac
Friso Wiersum – projectleider Kunst en Oorlog, Vrede van Utrecht
Anne Habermann – vormgeefster FINLAND
Marije Idema – actrice FINLAND
Rainer Hofmann – artistiek leider Festival aan de Werf
Laurens Runderkamp – SICA (stichting internationale culturele activiteiten) en bestuurslid van Hotel Eldorado
Dennis Meyer –artistiek leider Het Lab en bestuursvoorzitter van Hotel Eldorado.

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Bridge

On the search for the very known novel “Bridge over the Drina” of Ivo Andrić I find out it is not being printed in Dutch. It is not easy to find. In a travellers’ guide of Yugoslavia, given to me by a Bosnian man in the Netherlands” (“this was my country, this was me”) I find this passage:

“The bridge”, says the poet Andrić hesitantly, as if it was painful for him, the bridge,  which he had shown and created out of himself again, “the bridge is in a poor condition”. He said it quiet, a little sad, though he spoke of a living being. “Although all indications are telling us they will be destroyed again we have to constantly build bridges. In these troubled times we can do nothing better”. He says it softly, as if it was meant only for himself. (Andrić in ‘Joegoslavië’ of Oto and Lise Bihalji- Merin, 1956)

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Language I

I don’t speak Bosnian yet. Ilil does, not completely, but she manages very well. We work in English or with translators. I have the new experience that my lack of not speaking the language makes it impossible to really connect with the people. I cannot express, and they can not completely see who I am. It makes me standing time by time aside, becoming independent and feeling helpless. Which are for me interesting emotions.  I discover how strongly I normally hold myself by verbal  communication. Because I am now not able, I see how I use and misuse language to be someone. Showing what I think, what I doubt, what I want, what I  hide, what I deny,  these are all ways to position myself towards others. Language is my best friend and maybe also an unvisible, big enemy. Being now the stranger, proofs how language  is the instrument for my identity. And in fact, it is quite an adventure to not have this instrument for three weeks. I get isolated, in my head I am alone captured with my own thoughts. My other senses get sharper: I get alert on somebodies’ eyes, hands, tone and volume and the body language. But because of cultural differences this way of non-verbal communication is also not to be trusted. Maybe it is not good to touch someone, to smile so much, to rely on the intonation of speaking. The non-verbal can be clear and warm, and vague and dark. I feel my communication is for three weeks in a fog and my only compass is intuïtion. I am confronted with my ego that is sometimes wildly alive in this silent head that can not really speak. I noticed I am the most concerned with what people think about me, because I know they cannot really see who I am. The ego is sometimes like a girl of 1 and a half years that just cannot speak and wants to be served or a nasty dwarf that wants to have power, or an old, slow woman that enjoys observing an unknown life passing by in front of her.

The journey into being the stranger comes to an outburst when we go home. In front of the early morning bus of 6 o’clock I am standing half asleep waiting to get my luggage in. The busdriver takes half of your yellow busticket, the other part you keep as a control ticket. Because one place for the luggage is full, the busdriver takes my bag to another side. He now also takes my second part of the ticket. That is what I think that happens. In the bus I ask Ilil if she can ask this control ticket back, just to have for my own administration. In Bosnian she asks, but the busdriver starts to talk quite irritated back. He thinks I have the ticket, but I don’t. There starts a discussion about who has the control ticket. Other men starts to join and explain in Bosnian that we have to have a ticket or this control ticket, I cannot know what they say.  I am amazed how quickly Ilil can answer, and I start to realize that the busdriver maybe thinks I have no ticket at all. We try to explain again and again that he has both the tickets, and that we only want to have the control ticket, but because he starts to get pissed of, I even try to say it’s also okay to forget about it. But like a rollercoaster we come into a quarrel, I start to shiver, I cannot handle quarrels, especially not when they are in the early morning, when there is an unimportant misunderstanding, maybe even an injustice and when people start to shout. We sit down, we leave the control ticket. But the busdriver is not starting the bus. He wants me to buy  a new ticket and quickly, because he has to leave.  Inside I am exploding, but I know I have to give in. I have to buy this new ticket only because the driver wants me to have a control ticket, because he might get punished for me not having it?? Ilil is mad (in Bosnian! Bravo!) and with some dignity because of she being able to express the injustice, we buy a new ticket. The woman at the office window explains completely calm to the busdriver that we indeed bought two tickets, but it doesn’t help. With the same calmness she sells me a new one. I give up. This is being the stranger. It’s part of the game.

After almost an hour driving to Sarajevo we see that the busdriver is still explaining to others that he has giving me back the control ticket. I also repeated half an hour to Ilil that I am completely sure that he has the control ticket. Busdriver and me both need to prove we are right, just to have some peace inside.  I notice I even swallow some tears because I felt completely unable to defend myself. Language is a weapon.

A man in front of us gives us a peppermint. He speaks softly.  He has dark brown eyes. After two hours he goes off. Ilil is sleeping next to me. He takes my hand and gives me the whole package of peppermints as a gift for the journey. We wave when the bus drives on and he walks away into the fields.

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Workshop Inside Outside

We finished our workshop ” Inside Outside” with youngsters from Bratunac, Glogova, Voljavica and Srebrenica. Click on the page “Mi smo ovdje/We are here” to see and read about what we did.

Ми смо завршили наше радионице изнутра / споља са младима из Братунца, Сребренице и Вољавица. Можете прочитати и видети више на страници “ми смо овде”. Ћемо ускоро покушати да преведе ову страницу.

Mi smo završili naše radionice iznutra / spolja sa mladima iz Bratunca, Srebrenice i Voljavica. Možete pročitati i videti više na stranici “mi smo ovdje”.  Ćemo uskoro pokušati da prevede ovu stranicu.

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Vive Zene

On Monday we meet a Dutch psychotherapist who works for Vive Zene, Center for Therapy and Rehabilitation in Tuzla. She lives already for 20 years in Bosnia, she is married with her holiday boyfriend whom she met on holiday in the former Yugoslavia. She also experienced a part of the war, the start and the ending of it.  Vive Zene works mostly with traumatised women and children. Traumatised by war, by losing families, by war related sexual violence, and by domestic viloence which is nowadays a big problem. When I look in her calm, soft face and listen to her Groninger accent, I imagine all the stories she has been listening to.  Her ears and eyes are witnessing almost every day the Evil that crossed the souls of these women, that damaged this society so hardly. When I ask about the size of the group that is traumatised, she mentions not only this big amount of women, but also all the demobilized and traumatised men, the children, the new generation that is carrying the past. In a village where she works, three children attempted suicide, one succeeded. Also a woman died from suicide. It had upset the small community. We speak about the generation of youngsters that are born out of rape, but are being told their father is a dead soldier. (The movie “Grbavica” of Jamsila Zbanic is making this issue visible in a very good way). This must be a big group, but she didn’t yet meet any of them in her therapy work. We often think about this when we meet youngsters of the age of fourteen, fifteen.

The big, big trauma of this country is not so visible in daily life. Life is going on, economic and political problems are getting attention. One wants mostly not to see the negative, the too painfull things in life. Maybe especially not here, in this society, where one doesn’t show vulnerability. Or maybe the question of nowaday life, how to earn a living, is asking simply for a first answer.

The evening before we spoke with the aunt of our guest family, who lost her husband, both her children, her brother and sister. She is strong, she can speak about it, she is able to make space for other things in her life than only sorrow. She is afraid of nothing and finds a bit of comfort in God. What strikes me when I thank her for wanting to tell her story, is that she thanks us wanting to listen to her and being interested. It is not only a kind answer on our visit, I think it is really true that generally there is not much attention (anymore) for the fate of these women. For them the war never stopped. Thousands of women are still waiting for their beloved ones to be found. They cannot be found, because the ones who know where the massgraves are keep their mouth shut. In Sarajevo there is written on a wall “Don’t forget Srebrenica”, but over the word “Srebrenica” a new graffiti has been painted.

The Vive Zene therapist gets energy and fullfillment from her work, but the society sometime makes her discouraged. “If people could only soften a bit the negative energies, the polarisations, and give the possitive things and the similarities some more space, then there would be some more balance. That would mean already quite much”.

I think of these words for myself, in my person. The last two weeks I suffered from my own polarisations, the lack of capacity to soften my negative feelings because the work was for me personally a bit though. Now, sitting on a roof terrace in Sarajevo, I experience more lightness again. I can look to the beautifull city, and to people who are  strolling around having a good time. I am myself a more balanced person in Sarajevo than in Bratunac. In Bratunac I feel infected by a hidden trauma, and the ongoing tensions it can have on daily life there. Especially in July. We together are less connected, more isolated in our own feelings, the canals are more closed, because we all the time feel a certain atmosphere. One can think “ life goes on” and build maybe a joyfull life on this wounded ground. But in our awareness, simply by witnessing only the landscape, the spots where things happened, destroyed houses, the catastrophe is always there. It makes you somehow split up in yourself.

If I imagine Bosnia as a person, she wakes up in the morning and lies for a moment silent in her bed. She looks under her bed and sees there is still a big depth with pain and unanswered questions. She thinks of answers, but can not find them,  because the world outside her window is so complex. She stands up to make a coffee to make the best out of a day that brings her one step further in her future.

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Presentation day

The last day before the presentation we work a bit longer in Dom Penzionera. From the group of ten we now have seven girls left over, one girl can not join the presentation, she watches. We need to hurry up to get the structure in the right order. We are both sometimes quite strict to the girls, they are not used to repeating, but they are aware  this work needs to be done, otherwise they won’t manage in front of an audience. They make big steps. At three o clock we get the message that parents are phoning Forum Zena, asking where their children are. One of the girls has 11 calls from her mother. We have though given a letter to the parents, with the exact regular working times and the information that we would work longer on Friday, but something is not understood. In the evening we work on with glueing the photos the youngsters made on carton, making a slideshow in the computer, finding the right music, going once more through the structure, making cues, checking the loudspeakers. In the late evening we  have barbecue on the Drina with Amira and Paul who just arrived from Holland.

The next morning the girls are fully committed, they are learning out loud their text, they do themselves a run through. There is a nice audience, most of them coming in later, but that doesn’t matter. The grandmother of one of the youngsters also came, the man I spoke with  from the Dialogue Center came, and Nada from Maja, the organisation with whom we will work in the winter. Not many parents are there, maybe it has to do with work. There is a journalist, we give a short interview, then we start. Ilil explains what we have been working on, I see that everybody is listening carefully. The presentation goes well. They are nervous and they like it. Audience is also concentrated. A big applaus. We get positive reactions, it is clear that the girls had got a push in their self esteem. We are happy.

In the evening we attend a Bosnian wedding. We dance the kolo, a round circle dance with a big group. There is live Balkan music, we like it a lot. We eat sheep and drink cola mixed with red wine.

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